Our Current 2018-2019 Season:

Our Current 2018-2019 Season:

Monday, June 17, 2019

Existential Comedy is an “Epiphany” at Barn One Act Festival

David Durham and Carol Shirley-Brown reflect on their lives together in Epiphany,
an existential comedy in the Barn One Act Festival.
PHOTO:  Heather Hudson

In the Seinfeld TV series, when Jerry and George pitch their pilot to NBC executives, they describe it as a “show about nothing.”   What Seinfeld meant by “nothing” was that the show focused on the everyday existence of ordinary people.   In fact, the shared experiences of human beings living their daily lives can be fertile ground for comedy.   In the Farmington Players One Act Festival (June 21-23 at the Barn Theater), Epiphany could be considered a play where nothing really happens.  But nothing is as wonderful as discovering a life truth that has been right in front of you the whole time.

In Epiphany, David Durham and Carol Shirley-Brown play a couple that has been together for a very long time.  They sit in their breakfast nook, reading and sipping coffee.  First time director Barbara A. Bruno describes the play as “a beautiful vignette about a man who has a realization about his life and how he comes to terms with it.  What’s challenging is that it does break some of the rules of theater in terms of what you expect to see – for example, the actors never leave their chairs and there’s a great temptation to compensate for that to maintain the audience’s interest.  However, the material is so strong that it really does stand on its own and doesn’t require any theatrical tricks.”

As Barbara says about the couple, “the nest is empty, their work life is done, and they’ve settled into what’s left after all that activity of life dissipates.   David and Carol have a wonderful chemistry with each other and bring a delightful energy to the relationship of their characters and a great sense of timing.  They understand the simplicity of the piece and at the end of the day, this play is about their connection. I think everyone will be able to relate to the relationship between the two characters – there’s a familiarity to their interactions that people will recognize.” 

So what is the great “epiphany” that the man discovers about his life?   Well, you’ll just have to come see the play to learn that.  But, as Barbara says, Epiphany is about “what is important to us, how our priorities shift over time, how we adjust to those, and how we grow, both as individuals and in relation to those around us.  Ultimately, however, it’s a love story.”  And that’s certainly not nothing!

The One Act Festival has 3 scheduled performances at the Farmington Players Barn Theater on June 21 (8:00), June 22 (8:00) and June 23 (2:00). Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.

Wednesday, June 12, 2019

Time Stands Still in All the Time in the World at Barn One Act Festival



Thomas Adams (Him), Ashley Thomas (Her), and Time feature prominently in
All The Time in the World, directed by Maureen Mansfield
PHOTO:  Adam Barnowski 


All the Time in the World is one of six short plays featured in the Farmington Players One Act Festival (June 21-23 at the Barn Theater).  Maureen Mansfield directs this “lovely story about two lonely people who through a chance meeting manage to bring a bit of comfort and happiness into each other’s lives.”  Two strangers meet in a train station: a salesman (“Him”) played by Thomas Adams, and a bubbly young bride (“Her”) played by Ashley Thomas.  While they wait for their train – and Her’s guy – to arrive, they discuss their hopes and dreams for the future.


Thomas Adams describes Him as “a middle aged salesman who is kind of stuck in his life. A bit of a workaholic.”  Thomas relates to Him because “I certainly have had times in my life when I've wanted to start my life over. The character I play also doesn't seem to have taken any big risks in his life, which has been true in my life as well.”  Ashley Thomas calls Her “a bundle of joy. She is not happy with her life in her town, but she still has dreams and is still happy. That's what I love about Her. She can be a bit rude and sassy, but that's what makes her funny. She also is the type of person to tell a stranger her whole life story, and I find that hilarious.”  And Ashley thinks that she is “just like Her: I have moments of false hope. I am naive about some things, but hopefully not as much as Her.”

Maureen was drawn to the play’s themes of “discontent, settling, hope, love, and friendship.  This show is a lovely heart warming piece that makes you feel good despite its sad undertones.”  Similarly, Thomas says, “I like how Him shows tenderness and sympathy toward Her. The characters are very relatable. They show their vulnerabilities and express sensitive emotions. It is a very touching show.”  Ashley knows that audiences will enjoy All The Time In The World because it “has you on the edge of your seat. You're rooting for Her and her guy, and wishing he shows up. There's also moments of comedy, and sadness, so there's really a bit of everything.”

Maureen is one of several experienced directors that are involved in bringing the first One Act Festival to the Barn.  Maureen is so invested in the festival’s success that she is also acting in Good Morning, Miriam, another one of the plays.   The One Act Festival has 3 scheduled performances at the Farmington Players Barn Theater on June 21 (8:00), June 22 (8:00) and June 23 (2:00). Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.



Saturday, June 8, 2019

Last Act Before the Final Curtain


Kandi, Carter and Madison
As actors, we often draw on our own real life experiences to shape our characters.  But there’s one role that none of us can really rehearse or prepare for:  Death.   A dear friend of mine has just passed away, and writing about her final scene is my way of coping with my grief.   Kandi Krumins was just 52 when she died after a two-year battle with colon cancer.   I knew her through the theater, but she was first and foremost a teacher and a mother.

I first met Kandi eight years ago when I was assistant directing To Kill A Mockingbird.  Kandi brought her children Madison and Carter, then 11 and 8, to audition for roles that were a bit too old for them.   While her kids were not cast, Kandi got a role as Miss Stephanie, and when another actress quit, Kandi stepped into the lead role of Jean Louise.  She quickly memorized all the lines and gave a stellar performance.   Again, a few years later, she stepped in to fill a role in The Vast Difference when an actress had to be replaced two weeks before opening night.  Kandi was always up for a challenge, and once she committed to something, she was all in.

When I directed my first play (Leading Ladies), I asked Kandi to choreograph a short dance break.  It was a throwaway scene with no description in the script, but Kandi embraced the task with her usual gusto.  She taught three couples to tango in comedic fashion, and the scene stole the show.  When I directed Monty Python’s Spamalot, Kandi was one of my assistant directors, and she choreographed a crazy French chase scene.  And when a key dancer badly sprained his ankle right before opening, Kandi pressed Carter (then 14) into action and taught him all the dance numbers in just three days.  Always the teacher, Kandi had a real talent for taking complex concepts and breaking them down into bite-size steps that anyone could learn.

Kandi’s biggest theatrical achievement was writing and directing a full-length, family friendly musical, Mid-Winter Break.  It was a coming of age story about middle school students, and while Carter and Madison were both in the cast, they received no special treatment from mom.  The show was well-conceived, not clichéd, and very touching.  It was produced in Waterford, Michigan in 2015, and again in 2017 at the Farmington Players Barn, Kandi’s home theater.   At the Barn, Kandi also choreographed Annie, and had stage roles in The Calendar Girls and The Dixie Swim Club, playing Jerry Neal, a lovable pregnant ditzy Southern gal, which was my favorite role of hers.

When Kandi was first diagnosed with colon cancer, she had surgery followed up by chemo.  Once her cancer was in remission, Kandi was back to her usual assertive, productive self.  After leaving her public school job, she home schooled Madison and Carter through middle school.  She stayed busy at the Barn and by promoting Mid-Winter Break.  And when her cancer returned, she kept it a secret for a long time.  Whether she was in denial, or truly believed that she could beat it, Kandi always put up a good front.  She was a good actor, and we all wanted to believe her.  But eventually the cancer took its toll, and only towards the very end, did she agree to receive visitors.

I last saw Kandi three days before she died.  She had been non-verbal all day, but when Madison announced my arrival, she perked up and started speaking.  In our final conversation, I was doing most of the talking, but it was nice to reminisce about all the shows we’d been involved in together.   She drifted in and out of focus, speaking of unfinished, imagined tasks: “The scripts … I have to get the scripts.”    I told her that Spamalot was my favorite shared theater experience with her.   Then we were both silent for a very long time.   I wasn’t sure if she was still awake, but all of a sudden, she said, “Killer Rabbit,” and I laughed.   When it was time to take my leave, I told her I loved her and kissed her forehead.  She took my hand and kissed it.   I was grateful for the chance to say good-bye.   Madison told me later that my conversation with Kandi was the last one she ever had, as she became non-verbal again right after I left.  

In Macbeth, Shakespeare wrote:  “Out, out, brief candle! Life's but a walking shadow, A poor player that struts and frets his hour upon the stage, and then is heard no more.”   I am honored to have witnessed one actor’s final scene, and of Kandi’s life, I can only say, “Well played.”

If you’d like to help Kandi’s children, Madison and Carter, please donate to this Go Fund Me campaign:  https://www.gofundme.com/krumins-family-support


Wednesday, May 15, 2019

Beth Egan De Guise Has Many Guises in Drowsy Ensemble



Service with a Smile:  Backstage with Drowsy Chaperone servants
(L to R) Madeleine Bien, Beth Egan De Guise, and Melissa Palka
Getting the most out of life, in work and in play, is important to Beth Egan De Guise.  That’s why playing multiple roles as an ensemble member in the Farmington Players production of The Drowsy Chaperone gives Beth great joy:  “I love playing ensemble, because I get to play a number of roles.  In this show, I get to be a servant, a reporter, an aviatrix, and part of the Bride's Lament.”

Beth says the main theme of Drowsy is to “live while you can. Being in a show is like that.  It is a lot of work, but you get to work with really fun people and bring a show to life.  There are lights and sound and costumes and sets that bring this vision to the stage.  This show is so fun and uplifting, so lighthearted and full of life, I think audiences will leave happy!”

Beth’s advice to the audience is to “keep your eye on the gangsters, and of course, the Man in the Chair,” who serves as narrator.  Beth says, “the commentary from the Man really makes the show.”  Her favorite line of his is:  “Whatever you do, don't pay attention to the lyrics!”  Beth has been paying attention to Drowsy for several years, having seen previous performances at Birmingham Village Players, Dearborn Players Guild and Troy High School.  She says, “It is definitely worth seeing more than once!”

Beth is a long-time Barn member who was thrilled to be cast in Drowsy: “This cast has truly been a delight to work with.  Everyone is so nice, and I have a wonderful time getting to know everyone better. Also, everyone is working so hard to make this a truly memorable show for the audiences.  I hope that people really have a great time with it!”

Beth is originally from Hershey, PA and went to college in Fort Worth, TX, before settling in Bloomfield, MI.  In addition to theatre, she volunteers with All About Animals Rescue, is heavily involved in her church, and ballroom dance with her husband.  By day, she is a computer programmer for a digital marketing company.

The Drowsy Chaperone has 3 remaining performances at the Farmington Players Barn Theater on May 16, 17, and 18.  The show is proudly sponsored by Tru-Vista Wealth Advisors.  Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955. 

Wednesday, May 8, 2019

Eric Nogas Has a Blast as Gangster Baker in Drowsy

Eric Nogas (right) and Jeff Graham (left) as Gangsters posing as pastry chefs, with Edmond Guay (Man in Chair)
PHOTO: Jan Cartwright

It takes a tough man to make a tender pastry. In the Farmington Players production of The Drowsy Chaperone (through May 18 at the Barn Theater), Eric Nogas and Jeff Graham play gangsters posing as pastry chefs.  Eric describes them as “stereotypical happy-go-lucky Broadway gangsters with stylized movement and lots of wordplay. The show is set in 1928 and the two gangsters are former vaudeville stars.”  While Eric finds it a “blast” to play the tough guy, his biggest challenge is that “almost all of our movements had to be choreographed.  To really get the most out of the part and make it as funny as we can, the gangsters have to be in-sync in almost every scene we are in.” 

Eric sees the gangster role as the perfect character for him and for his progression as an actor: “As I grow as an actor, I looked for bigger parts with a more lines and more stage time. In Drowsy, there will be times on stage when all eyes will be on the two gangsters.  That is both terrifying and exciting at the same time, but I am up for the challenge.”  Drowsy is Eric’s fourth stage role at the Barn and his third musical (after Spamalot and Into The Woods).  As he says, “I love being in musicals at the Barn. They always bring out the best talent both on the acting side and production side of things and Drowsy Chaperone is no different.  It is more of an ensemble show which I always enjoy.”

Eric also enjoys working with director Cynthia Tupper, saying, “While Cynthia has a vision, she allows actors to express their creativity and try out different things and will do what is best for the show.”  Audiences love this show because it is “an homage to musical theater and the golden age of Broadway. The show within a show concept is unique and audiences love how we go back and forth from real time to 1928. These characters are big, comedic, and play for laughs.” 

Eric lives in downtown Farmington with his wife Christa, son Jack and daughter Sydney.  By day, he words as a recruiter and runs a branch of Snelling Staffing Services. In addition to acting, Eric also designed the sound for Drowsy and the last three Barn musicals, which makes 14 consecutive shows either working or designing sound at the Barn.  Next season, he will serve as Assistant Director for the Farmington Players production of Unnecessary Farce.

The Drowsy Chaperone has 6 remaining performances at the Farmington Players Barn Theater through May 18.  The show is proudly sponsored by Tru-Vista Wealth Advisors.  Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.

Wednesday, April 24, 2019

Lark Haunert Relates to Giving Up the Stage for Love in Drowsy

Lark Haunert is the center of attention as Janet van de Graaf in The Drowsy Chaperone
PHOTO: Jan Cartwright

Unless you’re from Canada, you’ve probably never heard of Janet van de Graaf, a Canadian improv artist and television actress.  But even if you have, you’d never guess that what started out as a spoof of old musicals at her engagement party in 1997 would evolve into a 2006 Broadway musical – The Drowsy Chaperone – about a 1920s musical called The Drowsy Chaperone, in which the lead character is called – wait for it – Janet van de Graaf!  Talk about art imitating life!

In the Farmington Players production of Drowsy (April 26 – May 18 at the Barn Theater), Lark Haunert plays her “dream role” of Janet, who she calls “funny and sweet, and while the struggle she faces – giving up the stage for love – is presented as comedy, it is definitely something I identify with.”  Although Lark is a model of physical fitness – she is an elite runner and teaches Zumba classes – she says “Janet is one of the more physically demanding roles that I've ever played.  Just standing still, her songs require a lot of breath support so putting them together with the dancing has been a challenge that I have really enjoyed pursuing!”  

Just like the show’s narrator, the Man in Chair, Lark can relate to “how visceral an experience listening to musicals can be.  The Man in Chair takes you through how much he loves The Drowsy Chaperone and how it relates to times and experiences in his life.  While the presentation of this is comedic, it is also endearing and heart warming.  Not only does the show itself pay homage to the genre, while not taking itself to seriously, it also embodies what I love most about musicals: how the music and story can make us feel, connect with other things that are going on in our daily lives, or allow us to escape them for just a little while and be swept into the music and story.”  

Lark knows musical theater lovers will enjoy Drowsy because the show “contains most archetypes in musical theater rolled into a funny story with cute, funny, endearing music, clever dialogue, and lots of dance numbers!  It really is a fun and entertaining show that I hope many, many people get to see!”

Lark grew up in Canton and moved back here a few years ago, and is raising her 10 year-old son, CJ.  She currently works at the University of Michigan.  Lark has really enjoyed her first experience at the Barn:  “Performing makes me feel alive, and it has truly been wonderful working with this cast and crew.  I am new to the Farmington Barn and everyone has welcomed me with open arms.  I am so grateful to have been cast and share the stage with this dedicated, talented and fun group!”

The Drowsy Chaperone has 12 performances at the Farmington Players Barn Theater from April 26 – May 18.  The show is proudly sponsored by Tru-Vista Wealth Advisors.  Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.

Sunday, April 21, 2019

Barbara Bruno IS the Drowsy Chaperone in The Drowsy Chaperone, a Play About the Play, The Drowsy Chaperone!



Barbara Bruno is the Chaperone, who is often drowsy from drink. 
The Chaperone is the favorite character of the Man in Chair (Edmond Guay)
PHOTO: Jan Cartwright 
Acting is an interesting balance of fantasy and reality.  Actors dress up and get to pretend to be someone else, often a character that possess qualities or powers that they can only dream of.  And yet, the best actors’ performance draws from their own experience, keeping it real while living someone else’s life.  Such is the juxtaposition facing Barbara Bruno, who plays the title role of the Chaperone in the Farmington Players production of The Drowsy Chaperone (April 26 – May 18 at the Barn Theater).

In the play, the Chaperone is often drowsy from too much drink.  Barb describes her character as “this wonderful grande dame of the theater with a touch of the bar room bawd about her.  It's great fun to play the sophisticate in one scene and then broad physical comedy in the next.  What's challenging about the role is that she isn't written with a lot of ‘jokes’ in her lines.  All of the comedy comes from what the actor chooses to do with it, what the actor brings to it.”

Drowsy is narrated by the Man in the Chair, who takes the audience on this ride.  The Chaperone is the Man’s favorite character.  As Barb says, “He loves her for how fabulous she is.  The challenge is playing that in ways that are grounded in who you are - trying to find the most appealing things about yourself and bringing them to the fore.  You simply can't copy what someone else has done with the role - it won't work.”  Barb tries to balance being grounded in reality with exploring the fantasy world created by the show: “As actors, we are fortunate to be able to play in a fantasy world, complete with costumes and orchestrations!  In truth, I spent most of my childhood re-enacting my favorite books and movies and embodying my alter ego, who was everything I was not:  brave, strong, powerful.  Fantasy is a way we can get in touch with those qualities we don't believe we possess.  The funny thing, though, is that the very ability to imagine those qualities means that they are within you.  The Chaperone is fun and confident, and I've noticed that these aspects have seeped into how I feel about myself.  It's good to remember in those times when I'm feeling down on myself that there are wonderful things about ourselves that, once we imagine them, we can bring out into the light and into our lives.”

Barbara knows that audiences will relate to Drowsy’s themes of escape: “It's all about escape - and we all need that.  Life can be unrelenting drudgery - the song As We Stumble Along summarizes the struggle that is just living life. There's always something else that needs to be done or some problem that needs to be solved. We all need an escape from it every once in a while.  There's nothing so comforting as spending some time in a fantasy world where you are everything you ever hoped you could be in a world that is exactly as you think it should be.”

While Barbara has enjoyed her other Barn performances including Stepmother, Into the Woods; Sara Jane Moore, 
Assassins; and Leta Encore, Ruthless, she considers the Drowsy cast to be “one of the most wonderful groups of people that I've ever seen assembled for a production.  Everyone gets along famously and we're having a truly wonderful time. It's such an incredibly talented group.  If folks have even a fraction of the fun we're having, they are going to have a marvelous time!”

The Drowsy Chaperone has 12 performances at the Farmington Players Barn Theater from April 26 – May 18.  The show is proudly sponsored by Tru-Vista Wealth Advisors.  Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.

Sunday, April 14, 2019

Madeleine Bien is Tres Bien as Drowsy Ensemble Member


 
Madeleine Bien (left, kneeling) is part of the talented ensemble
that plays multiple roles in The Drowsy Chaperone
PHOTO: Jan Cartwright
The Drowsy Chaperone is a show-within-a-show narrated by an unnamed man in a chair who takes the audience back in time has he recalls his favorite 1920s musical entitled – you guessed it – The Drowsy Chaperone.  The Farmington Players production of Drowsy runs April 26 – May 18 at the Barn Theater. 

Like many musicals, Drowsy involves larger than life lead characters and a small ensemble that sings, dances, and portrays multiple supporting roles.  In the Barn’s production, ensemble member Madeleine Bien plays such diverse characters as a maid, a monkey, and an aviatrix's assistant.  As Madeleine says, “Since the characters are already inherently different, it's pretty easy to jump from one to the other.”

In Drowsy, one of the lead characters Janet is struggling to decide whether she wants to leave the stage with all its fame and fortune for a husband she just met. She even loses her mind over it at one point in the show. Madeleine can relate to certain aspects of this struggle.  As she says, “It's extremely relatable for me as I've often considered the very same thing, whether I wanted to make a career out of my passion for the stage or give that up to focus on starting a family. Fortunately, it's not as black-and-white as that. Many of us in the cast have families of our own and are able to maintain the busy rehearsal schedule that the show requires while still keeping up with everything at home. It certainly speaks to the devotion of the cast and their ability to put on an amazing show despite having many other things to juggle in ‘real life’.”

Madeleine knows that audiences will love Drowsy because of “The TALENT. The comedy, the timing, the music, the people. There's something for everyone in this musical.”  She fell in love with this story because of the comedy and the music, saying, “I have a huge appreciation for musicals that can make me laugh (like, really laugh, not just chuckle), with music you can belt to, all topped off with a big crazy dance number!”

Madeleine hails from Southfield and studied theater at Wayne State University in Detroit before transferring to Western Michigan University in Kalamazoo to major in French. She has organized an improv Meetup, a French Meetup, and an A-Capella quartet. She works at Volkswagen Group of America. Madeleine says, “The cast of this show always finds a way to make me laugh, on or off stage. They are a phenomenal bunch of people that I hope to have the pleasure of working with again in more shows to come. Cynthia Tupper, our director, is fantastic, and finds unique ways of pulling the show together to make it an unforgettable musical.”

The Drowsy Chaperone has 12 performances at the Farmington Players Barn Theater from April 26 – May 18.  The show is proudly sponsored by Tru-Vista Wealth Advisors.  Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.


Monday, April 8, 2019

Putting on the Ditz: Julia Turner is Ditzy Flapper in Drowsy

Julia Turner (left) as Kitty and Lark Haunert (right) as Janet with Barbara Bruno (center) as the Drowsy Chaperone
PHOTO:  Jan Cartwright

The Drowsy Chaperone is a parody of American musical comedies in the 1920s, and any portrayal of the Roaring Twenties would not be complete without a flapper girl!  A “flapper” is defined as “a fashionable young woman intent on enjoying herself and flouting conventional standards of behavior.”  Julia Turner plays Kitty, a ditzy flapper girl in the Farmington Players production of Drowsy (April 26 – May 18 at the Barn Theater). 

Julia describes Kitty as “very sweet and very naïve.  She is not the brightest but has good intentions.   Kitty is a bit jealous of Janet and craves the spotlight because she truly believes she is a star.”  Julia says she “fell in love with Kitty” on her first reading of the script: “The character description for Kitty literally read ‘dumb blonde chorine’ and of course the running joke now is that I was perfectly type-cast for the role!”

Julia believes that “most people have their one show, book or movie that they are enamored with and see themselves as a part of the story.  As a little girl, I was captivated by The Little Mermaid.  As far as I was concerned, I was Ariel.”  Similarly, as Julia says, “The Man in the Chair has so many personal connections and memories that go along with The Drowsy Chaperone and takes the show to heart.” Drowsy is actually a show-within-a-show, jumping from the Man’s narration in the present back to the 1920’s. The Man’s passion for Drowsy draws the audience in and their experience is enhanced by his enthusiasm for it.

Julia describes The Drowsy Chaperone as “a period piece with fun, colorful costumes, big dance numbers, and even blindfolded roller skating! This show is fun and cheesy but has a lot of heart, and you can’t help but to love the characters. The blatant jokes and stereotypes in this show are over the top and hilarious.  Audiences will relate to Janet’s conundrum of whether to stay in the spotlight or settle down as a wife.  Everyone knows a Mrs. Tottendale, who you can’t help to love even though she may have a few screws loose.” 

Julia’s involvement in theater started in high school in Toledo (Surprise!) Ohio.  After moving here a few years ago with her husband from West Virginia to Royal Oak, she was inspired to return to the theater.  Julia made her Barn debut last year as Rapunzel in Into the Woods.  Julia is “so grateful to have the opportunity to be a part of this fun, fast and hysterical show.  The Farmington Players have given me the creative outlet I’ve been craving alongside an incredibly talented, supportive and HILARIOUS cast and crew.” When not performing, Julia enjoys travelling, watching and playing sports and spend most of the summer either boating on Lake Erie or off-roading on trails in Northern Michigan.

The Drowsy Chaperone has 12 performances at the Farmington Players Barn Theater from April 26 – May 18.  The show is proudly sponsored by Tru-Vista Wealth Advisors.  Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.


Saturday, March 30, 2019

Edmond Guay Embraces his Inner Geek as Drowsy’s Man

Edmond Guay as the Man in Chair adores his favorite musical -- The Drowsy Chaperone -- the play within the play
PHOTO:  Jan Cartwright

From boy with microphone to Man in Chair, Edmond Guay has always enjoyed entertaining people: “My parents tell me that I was born with a microphone and that I would sing and perform at any moment at any given time when I was a child, and I don't think I've ever lost that.” Edmond plays the unnamed “Man in Chair” who serves as narrator of The Drowsy Chaperone in the Farmington Players production (April 26 – May 18 at the Barn Theater). 

Edmond describes his character as follows: “He embodies so much of what makes the average geeky musical theater lover a musical theater lover. He simply enjoys the show, the music, the glamour, the escape. And I think his quirky and bizarre little character represents a little piece of all of us.”  Like his character, Edmond loves musical theater, and he believes the essence of The Drowsy Chaperone is “to enjoy the journey of escaping to another world while sitting in a theater. I have been that musical theater lover for my entire life. The final monologue from the Man in Chair really sums it all up when he says it's not a perfect show but it does what a musical is supposed to do, it takes you to another world, and leaves you with some tunes that you can remember when you're feeling a little blue.”

Edmond has loved Drowsy since he first saw it on Broadway in 2007: “The script is hysterical yet human and makes the concept of musical theater one that is very reachable for so many. It really is a musical theater lover’s dream to be a part of a show like this. The characters are incredibly entertaining, the music is fun, the choreography is inventive and well-executed. This entire show is an escapist theater dream. And it is built on the idea of what it takes to simply reach out and entertain an audience.”  

Edmond is loving his first experience at the Farmington Players: “The cast and staff have been incredibly welcoming, and have been very open to my energies and my ideas. The cast is spoiling each other because of our energy and our positiveness during rehearsals, and the staff has been very willing to let us take risks. So far it's been both a supportive and safe environment, while also challenging us to do our best.”

Edmond lives in Royal Oak with Susan, his wife of 30 years. He taught theater, speech, and English at Avondale High School and retired from teaching in 2017, after 35 years. But he recently returned to the classroom as an English teacher at a Catholic High School. His hobbies include “crossword puzzles, trivia games, roller coasters, singing in church, baseball, and spending lots of time playing with my grandson Quincy.”

The Drowsy Chaperone has 12 performances at the Farmington Players Barn Theater from April 26 – May 18.  The show is proudly sponsored by Tru-Vista Wealth Advisors.  Tickets are available online at farmingtonplayers.org or by emailing boxoffice@farmingtonplayers.org or calling the Barn box office at 248-553-2955.


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